George Balanchine

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Dynamos

Philadanco at the ICA
The four pieces on the program that Philadanco brought for its Boston debut last weekend at the Institute for Contemporary Art were all-dance numbers showcasing a troupe of highly polished, supercharged dancers.
By MARCIA B. SIEGEL | November 18, 2008

State of the art

Boston Ballet’s third ‘Night of Stars’
Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.
By JEFFREY GANTZ | October 17, 2008

Floor show

Sara Hook at Harvard
Sara Hook explains the title of her cabaret piece Salad Days as a reference to youth and indiscretion.
By MARCIA B. SIEGEL | October 01, 2008

Where the chips fell

Marjorie Morgan, Karl Cronin, Lucinda Childs, and Boston Ballet
Dance history reverberated across Boston during the past few weeks, affirming that how we live now owes a lot to how we’ve chosen to remember — and forget.
By MARCIA B. SIEGEL | May 28, 2008

Russian revel?

Looking ahead to Ballets Russes 2009
The Russians are coming!
By JEFFREY GANTZ | May 23, 2008

Mastering the masterpieces

Boston Ballet takes on Balanchine, Tudor, and Tharp
It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
By JEFFREY GANTZ | May 21, 2008

Balancing act

Interview: Mikko Nissinen and Boston Ballet
It’s been quite a year for Boston Ballet.
By JEFFREY GANTZ | May 14, 2008

Decoding Balanchine

Nancy Goldner on Mr. B
Nancy Goldner’s diminutive new book about George Balanchine’s choreography is deceptively readable.
By MARCIA B. SIEGEL | May 06, 2008

Oppositions

The Kirov's Balanchine at City Center
The end of a three-week, thousands-of-miles-from-home season is never the right time to assess a dance company.
By JEFFREY GANTZ | May 12, 2008

Scenes from the city

The Kirov at City Center, plus Jerome Robbins, Stephen Petronio, and Cloud Gate
I missed more things in two and a half days last week than I managed to take in, so whatever I might infer about dance in the New York vortex could have come out a different way if I’d reversed my priorities.
By MARCIA B. SIEGEL | April 08, 2008

Pas de divorce

Opera House captures Boston Ballet’s heart
It’s been a roller-coaster six weeks at Boston Ballet.
By JEFFREY GANTZ | April 02, 2008

Theatrics

Boston Ballet’s ‘Next Generation’
There’s got to be more to the future than the spectacle of gaudier and gaudier soulless cyberbodies.
By MARCIA B. SIEGEL | March 12, 2008

Wings of desire

Samuel Bak’s ‘Remembering Angels’
Half a millennium after her birth, in the wake of world wars and genocides, she’s become timeless.
By JEFFREY GANTZ | January 30, 2008

Moonbeams

Boston Ballet illumines George Balanchine’s A Midsummer Night’s Dream
Shakespeare’s A Midsummer Night’s Dream is a dizzy dance of a drama, meandering mystifyingly between May Eve and Midsummer Eve under a moon that goes from new to full swifter than arrow from the Tartar’s bow.
By JEFFREY GANTZ | January 24, 2008

Ebb and flow

Dance: 2007 in review
The good news is that we still have our own major company, Boston Ballet, and it made its first international tour — to Spain — in more than a decade.
By JEFFREY GANTZ | December 17, 2007

Holiday favorites

Revive the tradition
For many of us, the holidays would not be the same without the familiar melodies and musical traditions we’ve grown to love.
By EMILY PARKHURST | November 28, 2007

Dark victory

Boston Ballet in Serenade and La Sylphide
It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
By JEFFREY GANTZ | October 31, 2007

Silver lining

Island Moving Co. celebraates its 25th year
“It’s truly a celebration of IMC — the feats and defeats that they’ve gone through,” Bolger reiterated.
By JOHNETTE RODRIGUEZ | July 10, 2007

Not quite Nina

Ananiashvili and the State Ballet of Georgia look to find their footing
On hearing the opening notes of the Kronos Quartet composition and seeing the dancers lit in sunny yellow, I feared we were about to be subjected to one of those “up with people” ballets.
By JANINE PARKER | June 27, 2007

Tragic tropes and anti-tropes

NYCB's Romeo , Boston Ballet's Giselle
The only question to ask about a new Romeo and Juliet, besides “Why?”, is “Why New York City Ballet?”
By MARCIA B. SIEGEL | May 18, 2007

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