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Conor Oberst

Conor Oberst | Merge
It’s just an Omaha boy playing some good old country pop — for once.
By: DAVID BOFFA  |  August 26, 2008

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Bill Burr

Why Do I Do This? | Comedy Central
The tirades he delivers here, always laced with self-depreciation, amount to a lovingly mean-spirited string of barbs aimed at racists, idiots, girlfriends, bikers, and well, just about everybody.
By: TED DROZDOWSKI  |  August 26, 2008

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Lykke Li

Youth Novels | Atlantic
Lykke Li may be hotly tipped for Starbucks stereoplay, but she’s more “Konichiwa Bitches” than Keren Ann.
By: SAM UBL  |  August 26, 2008

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David Byrne and Brian Eno

Everything That Happens Will Happen Today | Self-Released
Everything That Happens is a brilliant addition to a creative partnership that has yielded so much and shouldn’t have taken 27 years to rekindle.
By: MICHAEL PATRICK BRADY  |  August 26, 2008

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Scott Walker

’Til The Band Comes In | Water
This is one of the classic artistic-breakdown albums, as revelatory as the Beach Boys’ Wild Honey or the Beatles’ Let it Be .
By: GUSTAVO TURNER  |  August 26, 2008

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King Syze

Jedi Mind Tricks Presents: Labor Union | Babygrande
The Philly rhyme giant proves his worth with calculated lyrics that simultaneously touch topics and talk trash.
By: CHRIS FARAONE  |  August 26, 2008

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Perhapst

Perhapst | In Music We Trust
To say he’s not a leading-man type is an understatement.
By: SAM UBL  |  August 19, 2008

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Refuse Resist

Mind: Yourself | Rodent Popsicle
With almost every song making its point and ending in well under three minutes, Mind: Yourself isn’t out to waste anyone’s time.
By: BARRY THOMPSON  |  August 19, 2008

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Death Vessel

Nothing Is Precious Enough For Us | Sub Pop
My only criticism of Death Vessel’s second LP is their trouble with slow songs. Otherwise, it's an astonishing forward leap for this Brooklyn-based folk group.
By: RICHARD BECK  |  August 19, 2008

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Black Affair

Pleasure Pressure Point | V2
Mason’s off-kilter lyrics and psychedelic sense of melody overpower the thrift-store Gary Numan and Depeche pastiches and the trite S&M vibe.
By: GUSTAVO TURNER  |  August 19, 2008

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Jeff Hanson

Madam Owl | Kill Rock Stars
Hanson has augmented the sparse, acoustic folk of his previous albums with a backdrop of strings and horns, thus giving these songs greater depth and body.
By: MICHAEL PATRICK BRADY  |  August 19, 2008

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Three 6 Mafia

Last 2 Walk  | Sony
Last 2 Walk is a club-banging record, but it’s hard to recommend something so by-the-book.
By: DANIEL BROCKMAN  |  August 19, 2008

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Zach Hill

Astrological Straits | Ipecac
On his first solo release, he indulges in an unrestrained torrent of challenging yet tuneful rock.
By: MICHAEL PATRICK BRADY  |  August 12, 2008

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Poni Hoax

Images of Sigrid | Tigersushi
Poni Hoax are, it’s clear, out to crash the increasingly humdrum post-disco party (just with better supplies), so it’s only fair that you crash theirs.
By: MICHAEL BRODEUR  |  August 12, 2008

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The Faint

Fasciinatiion | Blank.wav
It’s as if I were at a party where they’re endlessly playing “Dead or Alive” while some guy next to me mumbles nonsense in my ear and some kid in the corner hits random keys on a Juno.
By: DANIEL BROCKMAN  |  August 12, 2008

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Randy Newman

Harps + Angels | Nonesuch
As welcome as it is to have Newman’s acerbic wit back, it remains a singular pleasure to listen to a simple, devastating ballad like “Losing You.”
By: ZETH LUNDY  |  August 12, 2008

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Lindtsrøm

Where You Go I Go Too | Smalltown Supersound
As the first non-shitty half-hour-long song of the millennium, the title track and centerpiece marks a milestone of sorts.
By: SAM UBL  |  August 12, 2008

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Aaron Parks

Invisible Cinema | Blue Note
He likes the shape of pop tunes, their dynamics, their unfolding dramas. He names Radiohead as an influence.
By: JON GARELICK  |  August 12, 2008

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V/A(1)

I Like It Like That: Fania Remixed | Fania
By: GUSTAVO TURNER  |  August 04, 2008

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Izza Kizza

Kizzaland | Souldiggaz/Atmos
Kizzaland’s main draw? It’s Kizza’s elastic snake-charmer flow.
By: SAM UBL  |  August 04, 2008
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